Finding Women in the State : A Socialist Feminist Revolution in the People's Republic of China, 1949-1964

作者：WangZheng

出版社：UniversityofCaliforniaPress

副标题：ASocialistFeministRevolutioninthePeople’sRepublicofChina,1949-1964

出版年：2016-11-1

页数：400

定价：USD34.95

装帧：Paperback

ISBN：9780520292291

内容简介
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Finding Women in the State is a provocative hidden history of socialist state feminists maneuvering behind the scenes at the core of the Chinese Communist Party. These women worked to advance gender and class equality in the early People’s Republic and fought to transform sexist norms and practices, all while facing fierce opposition from a male-dominated CCP leadership from the Party Central to the local government. Wang Zheng extends this investigation to the cultural realm, showing how feminists within China’s film industry were working to actively create new cinematic heroines, and how they continued a New Culture anti-patriarchy heritage in socialist film production. This book illuminates not only the different visions of revolutionary transformation but also the dense entanglements among those in the top echelon of the party. Wang discusses the causes for failure of China’s socialist revolution and raises fundamental questions about male dominance in social movements that aim to pursue social justice and equality. This is the first book engendering the PRC high politics and has important theoretical and methodological implications for scholars and students working in gender studies as well China studies.

作者简介
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Wang Zheng is Professor of Women’s Studies and History and Associate Scientist of the Institute for Research on Women and Gender at the University of Michigan.

目录
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List of Illustrations

Acknowledgments

Introduction

part one

the women’s federation and the ccp

1 • Feminist Contentions in Socialist State Formation: A Case Study of the Shanghai Women’s Federation

2 • The Political Perils in 1957: Struggles over “Women’s Liberation”

3 • Creating a Socialist Feminist Cultural Front: Women of China

4 • When a Maoist “Class” Intersected Gender

part two

from feminist revolution of culture to the cultural revolution

5 • Chen Bo’er and the Feminist Paradigm of Socialist Film

6 • Fashioning Socialist Visual Culture: Xia Yan and the New Culture Heritage

7 • The Cultural Origins of the Cultural Revolution

8 • The Iron Girls: Gender and Class in Cultural Representations

Conclusion: Socialist State Feminism and Its Legacies in Capitalist China

Notes

Glossary

List of Interviews

Bibliography

Index

评论 ······

现实关怀相当强烈的一本书，不过作者恐怕没想到这两年50年代的女性主义的历史又再度被如今的女性主义者所援引。

王政老师非常详实地重构了共产主义女权历史，早年中华全国妇女联合会与CCP之间的“政治话语”斗争很有意思，如何认识女性在共产主义革命中做出的贡献，中段我和要单挑上海妇女联合会这一点不懂？之后写陈波儿、夏衍的两章电影创作还不错，但是对于铁姑娘的讨论以及文革之后女权史被扭曲掩盖有些刻意回避。结尾强行提了一波女权五姐妹。Chris

和后社会主义电影批评学者与改革开放初期男性公共知识分子相对应的，王政代表的是一种什么样的理路呢？我觉得最适合的还是放置在以高彦颐和苏成捷的revisionist history范式下来看，在此基础上来理解这种历史书写方式对五四的传统现代二分和冷战的民主专制二分的批判。

社会主义女权革命如何在男权阴影之下发生，一方面是早期妇联的“隐埋政治”的策略，如何隐匿性别政纲，并将功劳都归给党；另一个视角是电影工业文化生产中的社会主义视觉文化生产，其中新文化主义与社会主义文化之间的矛盾是挥之不去的阴影，也是五四一代知识分子复杂命运背后的深层机制。

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