作者:Lastra,James
出版社:ColumbiaUnivPr
出版年:2000-7
页数:288
定价:$32.77
装帧:Pap
ISBN:9780231115179
内容简介
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Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.
评论 ······
representational practices, devices and modernity
检验英语水平的时候到了……
This is a very important book with terrible writing. In particular, this is the harbinger of how apparatus theory was on the wane and both media studies and modernist histories were becoming mainstrea…
very historically informed book on the multiple representational practices and technological devices. The simulation/inscription metaphor sets well for the film sound from its origins. The impulse to …
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