Aesthetics, Method, and Epistemology (Essential Works of Foucault, 1954-1984, Vol 2) : The Essential Works of Foucault, 1954-1984, Vol 2

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Aesthetics, Method, and Epistemology (Essential Works of Foucault, 1954-1984, Vol 2)
: The Essential Works of Foucault, 1954-1984, Vol 2

作者:MichelFoucault/JamesD.Faubion

出版社:NewPress

副标题:TheEssentialWorksofFoucault,1954-1984,Vol2

出版年:1998-03

页数:486

定价:USD30.00

装帧:Hardcover

ISBN:9781565843295

内容简介
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Few philosophers have had as strong an influence on the twentieth century as Michel Foucault. His work has affected the teaching of any number of disciplines and remains, twenty years after his death, critically important. This newly available edition is drawn from the complete collection of all of Foucault’s courses, articles, and interviews, and brings his most important work to a new generation of readers. Aesthetics, Method and Epistemology (edited by James D. Faubion) surveys Foucault’s diverse but sustained address of the historical forms and interplay of passion, experience, and truth.

作者简介
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Michel Foucault (1926–1984) was one of the most influential philosophers of the twentieth century. He held a chair in the history of systems of thought at the Collège de France and lectured at universities throughout the world. The New Press has published his books Aesthetics, Method, and Epistemology; Ethics; Power; The Essential Foucault; and The Chomsky-Foucault Debate (with Noam Chomsky). Foucault’s other books include Madness and Civilization, Discipline and Punish, The Order of Things, and The History of Sexuality.

James D. Faubion is a professor of anthropology at Rice University. He is the author of The Shadows and Lights of Waco and Modern Greek Lessons. He is the editor of Michel Foucault’s Aesthetics, Method, and Epistemology and Power: Essential Works of Foucault, 1954–1984, both published by The New Press.

评论 ······

什么大脑什么文字啊 清清爽爽 太智慧了

最近怀旧风刮起,纷纷开始重读阿柯。愿时间和经验能让我更整体地看到思想家的谱系和发展脉络

这本对自己来说是最不好懂的,涉及美学电影审美这类lofty的东西,然后每次看这本就想到当时那篇”宽忍的灰色黎明“,简直强烈地嘲笑了我的审美和智商T T

我感觉这个比较有意思。

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