作者：CharlesRosen
出版社：W.W.Norton&Company
副标题：Haydn,Mozart,Beethoven
出版年：1998-1-17
页数：560
定价：USD24.95
装帧：Paperback
ISBN：9780393317121
内容简介
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A greatly expanded edition of a masterpiece by a world-class pianist and writer on music.This outstanding book treating the three most beloved composers of the Vienna School is basic to any study of Classicalera music. Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language.For this expanded edition, now available in paperback for the first time, Rosen has provided a new, 64-page chapter on the later years of Beethoven and the musical conventions he inherited from Haydn and Mozart. The author has also written an extensive new preface in which he responds to other writers who have commented on his ideas.
作者简介
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作者查尔斯.罗森Charles Rosen（1927—2012）：美国钢琴家，音乐著述家和批评家。他出生于纽约的一个建筑师之家，自幼习琴，少年时拜著名钢琴家、李斯特的弟子莫里茨•罗森塔尔为师，可算是李斯特显赫谱系的“嫡传”。他的正式职业身份是音乐会钢琴家，他对音乐文献的主要贡献是《古典风格》。
译者杨燕迪（1963— ），音乐学家、音乐评论家、音乐翻译家，现任上海音乐学院副院长、教授。
评论 ······
It's such a marvelous work that it compels me to take a full-detailed note. Started reading on Jan. 4.
读了一个月。此书可能是音乐分析的最佳范例：音与音、乐章与乐章、曲与曲之间，原来充满着呼应和对比。要是不厘清理解这些关系，我们对音乐的所谓高谈阔论或许只是空谈。Rosen的独出机杼在于指出了海顿、莫扎特音乐的“新”和贝多芬相对的“旧”：前二者尝试着revolutionise conventions；而出乎意料的是，贝多芬其实很少打破既定规则，相反，穷尽既有规则的一切潜力，才是他的原创性所在。我也很欣…
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📍4/21/20
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