作者：AldoRossi
出版社：MITPress
译者：LawrenceVenuti
出版年：2010-02-28
页数：128
定价：GBP14.95
装帧：Paperback
ISBN：9780262514385
内容简介
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This revealing memoir by Aldo Rossi (1937–1997), one of the most visible and controversial figures ever on the international architecture scene, intermingles discussions of Rossi's architectural projects–including the major literary and artistic influences on his work–with his personal history. Drawn from notebooks Rossi kept beginning in 1971, these ruminations and reflections range from his obsession with theater to his concept of architecture as ritual. The book originally appeared as one of the landmark titles in the MIT Press's Oppositions Books series, but has been out of print for many years. This newly issued paperback reprint includes illustrations–photographs, evocative images, and a set of drawings of Rossi's major architectural projects prepared particularly for this publication–selected by the author himself to augment the text.
评论 ······
像是回忆录一样的文字，有着读本雅明的柏林童年的感觉。虽然以解释他的项目为全书的主线，然而这些解释，都被一些插进来的思绪扯得乱七八糟。正如他自己所说‘love things which are broken and then reassembled"。不过，你丫也想的太多了吧。
文字富有诗意，但看完不胜感慨。再完美的理性也只能建立在对世界的感性认识之上。
另一本看不下去的时候找来了这本
Rossi从来都是站在更宏观的城市尺度去看待建筑的，探寻广义的collective memory。他的建筑很难用言语描述，可能深受 Loos 的影响，一直用最纯粹的几何形体。但他的思维始终是复杂跳跃的，这点在他的画上和兴趣广泛也可以看出来。他阐述了从理智与探寻重塑建筑原则到无视它的过程，正如他解释到，Not the architecture but the city of man was stru…
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