An Amorous History of the Silver Screen : Shanghai Cinema, 1896-1937

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An Amorous History of the Silver Screen
: Shanghai Cinema, 1896-1937

作者:ZhangZhen

出版社:UniversityOfChicagoPress

副标题:ShanghaiCinema,1896-1937

出版年:2006-2-1

页数:456

定价:USD43.00

装帧:Paperback

ISBN:9780226982380

内容简介
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Shanghai in the early twentieth century was alive with art and culture. With the proliferation of popular genres such as the martial arts film, the contest among various modernist filmmakers, and the advent of sound, Chinese cinema was transforming urban life. But with the Japanese invasion in 1937, all of this came to a screeching halt. Until recently, the political establishment has discouraged comprehensive studies of the cultural phenomenon of early Chinese film, and this momentous chapter in China's history has remained largely unexamined. The first sustained historical study of the emergence of cinema in China, "An Amorous History of the Silver Screen" is a fascinating narrative that illustrates the immense cultural significance of film and its power as a vehicle for social change. Named after a major feature film on the making of Chinese cinema, only part of which survives, "An Amorous History of the Silver Screen" reveals the intricacies of this cultural movement and explores its connections to other art forms such as photography, architecture, drama, and literature. In light of original archival research, Zhang Zhen examines previously unstudied films and expands the important discussion of how they modeled modern social structures and gender roles in early twentieth-century China. The first volume in the new and groundbreaking series "Cinema and Modernity", "An Amorous History of the Silver Screen" is an innovative – and well illustrated – look at the cultural history of Chinese modernity through the lens of this seminal moment in Shanghai cinema.

作者简介
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张真是美国纽约大学电影学副教授。上世纪80年代初她在复旦大学攻读新闻专业,随后赴瑞典学习电影制作和电影理论。1991年获得爱荷华州立大学比较文学硕士,1998年在芝加哥大学获得东亚研究/电影研究的博士学位。在斯坦福大学从事了一年博士后研究后,她进入纽约大学执教。她的论文曾获得电影和媒介研究协会的最佳学位论文奖,本书即以此发展而来。

《银幕艳史》2005年由芝加哥大学出版社出版,除此之外,张真还使用多种语言(英文、瑞典文、意大利文、法文和中文)在各类权威学术刊物和论文集上发表大量文章,内容涉及中国电影、文学、大众文化和性别研究等多个领域。她所选编的《城市一代:中国电影和文化21世纪的转向》一书,2006年将由杜克大学出版社出版。张真还曾参与组织过纽约现代艺术博物馆和林肯中心以彰显表演艺术为主题的大型中国电影精品回顾。

评论 ······

资料详实,是很好的resource book。如果编辑得更好一点,不像一本博士论文的话,应该会更容易读。。。

applying Hansen's theory into Chinese cinema, too long

总算读完学术偶像的《银幕艳史》,在Vernacular Modernism视阈下,上海电影成为民国时代中国白话与现代化运动中最重要的媒介载体,上海电影又如同发动机一样不断制造在人们对于现代性和美学的体验。从《劳工之爱情》到《夜半歌声》,张真不仅仅局限于早期电影史的文本研究,更关注了上海地理空间、大众文化、早期电影与鸳鸯蝴蝶派文学、萌芽阶段的中国电影理论研究、以及许多extratextual的问题。…

拯救我的毕业论文🙌🏻

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