作者：AndrewF.Jones
出版社：CornellUniversityEastAsiaProgram
副标题：IdeologyandGenreinContemporaryChinesePopularMusic
出版年：1992-12
页数：192
定价：USD22.50
装帧：Paperback
ISBN：9780939657575
内容简介
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The first comprehensive study of Chinese popular music in a Western language. Drawing on extensive interviews with singers, songwriters and critics, as well as cultural, sociological, musical, and textual analysis, the book portrays the disparate ways in which China's state-run popular music industry and burgeoning underground rock music subculture represented by Cui Jian have been instrumental to the cultural and political struggles that culminated in the Tienanmen democracy movement of 1989. It also examines the links between popular music and contemporary debates about cultural identity and modernization, as well as the close connections between rock music, youth culture, and student protest.
评论 ······
不管是音乐系、文学系、人类学、民俗学，写音乐的路数都喜欢政治挂帅。流派只是意识形态？通俗与流行的区别，通俗有更多意识形态的渗透？
虽然我很喜欢作者，但这本实在有点青涩(作为19岁的作品是很棒了）。不太满意的地方大概有两点：1.理论套用略僵硬，又是葛兰西又是伯明翰，霸权-反抗-协商的模型对于这段历史来说太简单而轻易了。2.访谈的对象太少，一两个人的观点就作为群体代表实在让人无法不怀疑是预设而非访谈引向了结论。此外形式层面的分析确实少了一些。虽然如此，能看得出早期就有类型学的明确意识，在后来的研究中就愈发成熟了。
从意识形态分析早期中国摇滚的佳作
skimmed through briefly.
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