作者:RichardEttinghausen/OlegGrabar/MarilynJenkins-Madina
出版社:TheYaleUniversityPressPelicanHistoryofArtSeries
副标题:伊斯兰艺术和建筑,650–1250
出版年:2003-8-1
页数:360
定价:$80.00
装帧:Paperback
ISBN:9780300088694
内容简介
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Selected by Choice as a 2003 Outstanding Academic Title
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances.
The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book.
With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
作者简介
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Oleg Grabar is Professor Emeritus of the School of Historical Studies at the Institute for Advanced Study, Princeton, and Marilyn Jenkins-Madina is Research Curator of Islamic Art at The Metropolitan Museum of Art, New York. They were both long-time colleagues of Richard Ettinghausen, who was professor of Islamic Art at the Institute of Fine Arts, New York University, and Consultative Chairman of Islamic Art at The Metropolitan Museum of Art until his death in 1979.
评论 ······
方形和菱形也常常作为装饰图案的边框,尤其是在植物纹装饰占主导地位的伊斯兰艺术早期。71-74
伊斯兰艺术必备教科书
伊斯兰艺术必备教科书
方形和菱形也常常作为装饰图案的边框,尤其是在植物纹装饰占主导地位的伊斯兰艺术早期。71-74
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